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The Great Shyamalan Debate

Posted on 03 July 2010 by Titus Richard

Tom and I often have long-winded conversations about movies via skype. Recently we were trying to think of some movies to debate on future podcasts, so naturally the name of M. Night Shyamalan quickly came up. Shyamalan is definitely one of those filmmakers that people either love or hate. With the release of Shyamalan’s latest film, The Last Airbender, we thought we’d post our conversation here, it seemed relevant enough. So, with no further ado…

Titus: We need a good film to debate.

Tom: A good one would be The Last Airbender. I can always find reasons to defend Shyamalan.

Titus: Really? Even with The Happening?

Tom: lol. I could totally defend that film as a whole. I will concede to some lame parts but I would still
take a positive side on that one

Titus: “Some” lame parts? :)

Tom: Yes, some. It just needed a different twist, not trees killing people.

Titus: And a better cast or possibly some direction.

Tom: lol. That’s pretty harsh. I don’t think the cast was the problem. I don’t think he directed it poorly
either. The whole thing is pretty cool and builds tension well until we find out the plants are angry
with us. After that revelation it is hard to take the rest seriously.

Titus: Oh man! The acting in that was reprehensible and I wasn’t buying the whole “we meant for it to
be bad” shtick.

Tom: Was the acting really the big issue or the lines they were asked to deliver with a straight face?

Titus: Wahlberg’s performance was laughable at best. I was watching it dumbfounded at how bad the
acting was. I kept thinking “is this for real?” Script, acting, directing, it was all bad!

Tom: Wahlberg was Wahlberg. That’s what you get when you cast him. Everyone going to see him act
knows that by now. That’s what we expect when we watch him.

Titus: It had potential too, that was the sad part. The scene where those kids get shot was so funny and I
think we were supposed to feel bad.

Tom: I have to watch it again because I honestly don’t remember that scene. We saw it opening night
and haven’t seen it since. I’m going to have to Netflix it now.

Titus: Everyone is surrounding that barn, and then a double barrel shotgun pops out and blows a kid
away right off the porch. Everyone in the theatre was either confused or laughing.

Tom: lol. I have to watch it again. I put it in the same boat with Death Race, Incredible Hulk, Doomsday,
AvP
, etc. I enjoy watching all those when I just want to watch something fun and don’t want to
have to think too hard.

Titus: I saw it opening day too. First and last time I will ever see it. The movie tried to be so much more
than those movies though. That’s what made it so much worse. I was hoping The Happening
would be fun, but I didn’t think it was.

Tom: I think if you took out the premise of plants killing people because they are angry with how we
treat the environment and replace it with like a toxic gas or crashed satellite you would have had a
different reaction.

Titus: Lady in the Water?

Tom: Lady in the Water is tough to defend. Kind of like Sharkboy and Lava Girl was for Rodriguez.
However, kids love Sharkboy and Lava Girl for some reason. I have yet to meet a kid that likes Lady
in the Water
. Actually I have yet to meet a kid who saw Lady in the Water.

Titus: Lady in the Water was real bad, but I think I may have liked it better than The Happening.

Tom: Lady in the Water was supposed to be for kids but it was way too creepy for kids, among many
other problems.

Titus: I thought water being the aliens’ weakness in Signs was lame, but the rest of the movie was good
so it got a pass. The Happening is a whole other story.

Tom: Why would you have a problem with water being the aliens’ weakness? When was the last time
you were attacked by an invading alien race? I am perfectly willing to give things like that a pass in
films because who really knows. Just because it doesn’t fit into our conventional thinking of what
should kill an alien? I take that stance with many films that people/critics are way too hard on.

Titus: No, it’s more like with aliens being as smart as they are why would they invade a planet that is
70% water?

Tom: lol. Again, over thinking the situation.

Titus: haha, this could be a fun blog post.

Tom: It made perfect sense for the aliens because they got a long way before people figured out water
was there weakness. They figured it out by complete accident.

Titus: Water didn’t ruin Signs for me, but it did seem like he was a little lazy with the writing there.

Tom:  I really liked Signs almost as much as Unbreakable.

Titus: I liked Signs too. I thought it was a lot of fun. The Village was ruined for me though because of all
Shyamalan’s plot holes.

Tom: Yeah, that one frustrated me but it was still fun to watch. I enjoyed Bryce Dallas Howard’s
performance. That was the first thing I had ever seen her in. I thought the whole premise for the
film was a neat idea. And it wasn’t crazy plot twists at the end. You kind of already knew.

Titus: With The Village though, I couldn’t buy that Adrien Brody’s handicap character became all
menacing when he put on the monster suit. Stuff like that throughout The Village just ruined it for
me. I did like the ending though and thought it was fairly entertaining.

Tom: I loved in The Village how the people had these bad accents and were attempting to speak in old
English. It bothered me through the whole movie and then it made sense why they were speaking
like that at the end. I thought that was a nice touch.

Titus: They should have a put a twist like that at the end of Robin Hood Prince of Thieves. Shyamalan is
just getting gradually worse. He became so lazy in his writing after he struck gold with The Sixth
Sense
and then bombed with Unbreakable.

Tom: I guess sometimes I give people a pass because they have such intriguing ideas. I loved the ideas
and concepts behind Unbreakable, The Village and The Happening. Shyamalan is a good director,
just not sold on his writing. He should dictate his ideas to someone else and let them put them all
to paper.

Titus: Unbreakable, yes. The Village, kind of. The Happening, no.

Tom: You didn’t think the effect of the toxin or whatever in The Happening was cool? What it made people
do? That was awesome! It just shouldn’t have been angry plants.

Titus: Yeah, that opening scene was like the only cool part. I think he is a good storyteller, but I don’t
really think he can direct actors.

Tom: So you would compare him to George Lucas? Lucas is horrible with actors but he is a great
storyteller. It will be interesting with Airbender to see him direct someone else’s material. I think
that will help prove my theory that his only real problem is his writing ability.

Titus: He is basically more of a Lucas than a Spielberg. Which sucks for him since Spielberg is like his idol.

Tom: Lucas has still yet to direct a script he did not write. Shyamalan needs this film (Airbender) to
prove he is still worthy of studios giving him money.

Titus: I agree with you though that sometimes critics and people are too harsh and sometimes they
deserve a pass. But Shyamalan is so cocky and studios give him so much money to make his films,
and sometimes it seems like his films fail just because of his laziness or cockiness.

Tom: You can put a few directors in that same boat. I think Airbender will prove if writing is his only
problem or if he can’t direct actors either. He is getting a young and relatively inexperienced cast to
work with.

Titus: I’ve never really been a Shyamalan naysayer until Lady in the Water and The Happening. Both of
which I saw in theatres right when they came out. I’m still rooting for him in a way.

Tom: I’m always rooting for films and directors in general. I wish they could all be good and come out
the way directors see it in their heads. Then this wouldn’t be a love/hate blog and we would have
nothing to debate.

Titus: That’s impossible as long as Uwe Boll is out there :)

Stay tuned, this debate may continue once we both see M. Night Shyamalan’s The Last Airbender.

Thanks to Tom for editing our Skype conversation so that it was actually grammatically correct and legible.

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The CineFiles Project

Posted on 17 June 2010 by Titus Richard

Frequent co-host and contributing writer here at Death to the Movies, Tom Jones, is launching The CineFiles Project tomorrow and we’re excited to give you a little sneak peek into what you can expect. Below you will find an introduction to The CineFiles Project from Tom, as well as an example of what The Cinefiles Project is all about.

The CineFiles are a collection of YOUR stories. It is a place where you can tell everyone how film became a part of your life and why you love it. Take the time to visit our site and be a part of the launch. The Project will begin on June 18, 2010, so please take the opportunity to share your story and send it to mystory@thecinefiles.com. We look forward to hearing your story.

-Tom

MY STORY by Tom Jones

My love for film began at the early age of 5 years old. My mother (a rabid Michael Jackson fan at the time) had just acquired a VHS copy of Thriller. I remember the first time she watched it and I was in the room, I was both intrigued and frightened by the mood of the opening scene. Then the full moon is revealed, Michael Jackson’s eyes turn yellow and the fangs are showing, I swiftly bolt behind the easy chair and cover my ears so as to not here the screams as MJ undergoes his transformation into the werewolf. Still curious and intrigued by this new movie I began, without my mother’s knowledge, watching it on my own and viewing a little bit more each time before running behind the chair. Once I finally made it to the end of the tape I went to remove it from the VCR when something else began playing. This particular copy of Thriller had the Making Of segment at the end of the tape. I watched in amazement at what went into making the video. Watching them put the makeup on MJ and the various zombies and hearing John Landis and Rick Baker talk about how much fun it was to make Thriller was a life changing experience. I decided at that moment that my future as an astronaut would have to wait because I was going to make movies when I grew up.

This experience caused me to see films in a completely different light. Rather than just sitting and watching a film I began to try and figure out how the filmmakers made the movie. I spent the next couple years watching countless horror films wherever I could get my hands on them. Older cousins came in very handy for watching the slasher films of the 80’s and due to a tape accidentally being left out and queued to just the right spot I experienced a bloody “chestburster” from a rented copy of Alien at the age of young age of 6. That was awesome!

In 1988 a new type of film sparked my interest when my family went to see Who Framed Roger Rabbit. I had not been this mystified by a film since Thriller. How did the filmmakers have cartoons interacting with real people? I began having my parent record anything on TV about the movie. One night the Disney channel aired a making of the movie documentary and my parents let me stay up late to watch it with them. Immediately upon finishing with both my parents sleeping on the couch I rewound the show and watched it again. This was the time my parents took notice of my passion and began to help with broadening my horizons a bit when it came to my choice of genres and showing me many classic films. The Academy Awards was like the Super Bowl in our house and movies were watched daily. By the age of 9 I had become a regular film buddy with my parents.

Sadly I did not become a filmmaker. My desire to work in the industry turned from special effects to writing then to directing. I have been fortunate to spend some time around the filmmaking process but have since found another job path that fits me quite well. Horror is near and dear to my heart because of the role it played in my life, but thanks to nourishing parents my horizons were broadened and I learned to appreciate all film for the beautiful art that it is.

I write this article not just to share my experience but also to start a discussion. So often we get to hear from filmmakers and actors their experience with film and how it became a part of their lives. However, there are more of us out there who truly love film and will rarely, if ever, get to share our stories with anyone outside our small circles of film loving friends. So this is your opportunity. We started The CineFiles Project because whenever we as humans are passionate about something we seek out others who are passionate about the same things. We enjoy hearing other people’s origins stories about how they came to be involved in the thing we enjoy so much.

The CineFiles Project: http://thecinefiles.com
Follow us on Facebook: http://bit.ly/bjXWMF
Follow us on Twitter: http://twitter.com/cinefiles
Follow us on YouTube: http://www.youtube.com/user/CineFilesProject


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Gene Splicing & Family “Love” Like We Have Never Seen Before

Posted on 06 June 2010 by Tom Jones

Every year a select few films are released that evoke very strong reactions from their audiences. There is often no middle ground with these films. These films elicit one of two reactions “love it” or “hate it”. I wish more of these films were released. These films cause discussion, discussion causes people to think, when people are forced to think this causes the film to be memorable. Memorable films, loved and hated, are what filmmaking is all about. Directors set out to make films that people will talk about and ultimately remember.

Director Vincenzo Natali has effectively done this twice now. He first caused many to talk about one of his early films Cube. It is difficult to find a sci-fi/horror fan that did not see that film. I remember having many discussions in this ancient thing called a chat room about Cube. It was either love or hate back in 1997 when that film was released. Fast forward to 2010 and Natali’s Splice is causing the same discussion among audiences.

I believe people are not comfortable with being uncomfortable. Splice makes you uncomfortable from the opening credits until the final fade to black. Splice is meant to disturb and in some cases horrify audiences. I went into this film fully expecting to see some disturbing images of violence and gore. I was pleasantly surprised to find that this was not the case. I found the characters and relationships in the film to be far more disturbing than most violence and gore that could have been put on the screen. We are introduced to a family dynamic in this film unlike any we have seen on the screen before, especially in a film marketed by a major studio like this one.

Adrien Brody and Sarah Polley are in excellent form here. Both of them succeed in portraying the feelings many new parents experience as they are learning to raise a child for the first time. Many of these experiences are extremely exaggerated of course. However, the basics are still there like the frustration of not understanding what your child wants/needs and the anguish of seeing your child in pain and not knowing how to help or what to do and also the frustration of dealing with maturing teenagers. This film introduces most American audiences to Delphine Chanéac who plays the character of Dren, the creation of the two scientists (Brody & Polley), with an eerie animal like performance. Chanéac’s movements as the childlike creature are quick and precise like the animals that have been spliced with her human DNA and yet she has this innocence about her that is so effectively childlike as if she really is experiencing everything for the first time. The fear and curiosity in her eyes is something few actors are capable of pulling off so effectively.

Splice, in it’s first two acts, is superb at building the tension and causing the audience to really get involved in the film and invest in the characters. The third act however, starts off strong, but an expected “change” takes place and the movie falls into some conventional horror movie pitfalls. I felt everything in the last 10 minutes of the film was too forced and out of sync with the rest of the film. Thankfully the ending did not ruin the film for me though. I thought as a whole it was well written, well acted, and well directed. This equals a win in my book. I commend everyone involved with making Splice for taking a bold new step into the world of sci-fi/horror and giving us something original to remember and discuss for years to come.

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Ep. 10 | The 10 Best Directors of the Decade pt.2

Posted on 18 February 2010 by DttM

10 Best DirectorsIn this episode: Part 2 of Tom and I listing our top 10 directors of the decade. Shoot us an email if you have any suggestions for topics you’d like to hear us discuss on the podcast, or leave a comment if you have a favorite director that you think should have made the list.

Note: We recorded this in January, before the Oscar nominations were announced.

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Ep. 9 | The 10 Best Directors of the Decade pt.1

Posted on 18 February 2010 by DttM

10 Best DirectorsIn this episode: Tom and I list our top 10 directors of the decade. We wanted to do a “decade list”, but both agreed we couldn’t only pick 10 films to sum up our favorites of the decade. By choosing directors, we were able to put well over 10 films on our lists. It took about 2 hours for us to go through our top 10, so I decided to split this up into two separate podcasts. The lists are a bit scattered due to us choosing a few of the same directors, so make sure you listen to both parts. :)

Shoot us an email (deathtothemovies@gmail.com) if you have any suggestions for topics you’d like to hear us discuss on the podcast, or leave a comment if you have a favorite director that you think should have made the list. Here’s to another decade of great films, and new voices!

Note: We recorded this in January, before the Oscar nominations were announced.

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