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SXSW Review: BERNIE

Posted on 15 March 2012 by Titus Richard

BERNIE is the latest film from Richard Linklater, starring Jack Black, Matthew McConaughey and Shirley MacLaine. The film is a true story about… well, it’s about Bernie. Bernie (Jack Black) is a mortician from a small, red-neck town in Texas. He becomes good friends with a wealthy widow (Shirley MacLaine) after he conducts the funeral service for her husband. The relationship between Bernie and the (unnamed) widow becomes unbearable by both parties and Bernie ends up killing her. Bernie then attempts to cover it up by making the rest of the community believe she is still alive. This not a spoiler as this is basically what the whole film revolves around. It’s “Weekend with Bernie” in reverse. This time Bernie does the killing. Not really, but kind of.

It was weird seeing this film in Texas. Mostly because it got a HUGE reaction to every Texas joke, most of them seemed undeserved. Richard Linklater is from Austin and is pretty much responsible for the booming film scene here, and even partially responsible for SXSW altogether (as Janet Pierson noted in the Q&A). Linklater, much like Soderbergh, is a filmmaker that has earned his stripes and is not afraid to diversify and explore various different genres. Going into this film I didn’t quite know what to expect, just that it had a fairly good cast, was a Linklater film, was based off a true story, and was a dark comedy. However, that was more than enough for me to be interested.

The film is told in a mockumentary style that is at first amusing, but quickly becomes annoying. It’s like the whole time you’re waiting for the film to start. At times it feels like you are primarily just watching a series of fake interviews. The casting and acting wasn’t the problem, it was more the structure. The continuous interviews with town folk is monotonous and boring and you just want to get back to the story.

BERNIE has its funny moments, including many of the one-liners in the interviews, and Jack Black’s performance is well-rounded and well-executed, but it just felt like the film ended before it ever really started, and not in a good way. The actual true story of BERNIE is fascinating and darkly comical. Unfortunately, it just never felt like the film really found its tone. It felt very disconnected from its audience despite the Texas crowd roaring in laughter every time there was a joke referencing Texas, or McConaughey (known Texan) popped up in a scene. It seemed like Linklater just made this film real quick on his 0ff-time and got a couple of his buddies together (that he had previously worked with in other films) and said “let’s do this!” I was underwhelmed and had hoped for more, even though I came in with zero expectations.

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Podcast: The Tree of Life/Melancholia (Ep. 14)

Posted on 06 February 2012 by DttM

In this episode: John and Titus discuss the polarizing similarities between “The Tree of Life” and “Melancholia”… but that’s where the similarities end.

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Review: The Grey

Posted on 02 February 2012 by DttM

“Liam Neeson vs. Wolves” is about all I needed to know to get me to buy my ticket for “The Grey”, and while the film did have Liam being epic in every conceivable fashion, the studio/trailers are selling you a different movie.

First off, “The Grey” is a beautifully shot, wonderfully acted film. If this were released later in the year, it would be a serious contender for an Oscar. But here it is, in what Hollywood considers “Dump Month”, which is a shame really, because this film has a lot more depth than what appears on the surface.

Liam Neeson stars as “Ottway”, a hunter employed by oil companies to keep the drillers safe by killing threats that walk on all fours (ie. Wolves). As “Ottway”, Liam brings his A-Game, making him seem like a real human being, with pain and suffering worn on his face. Early on in the film, he writes a letter to his wife, and the emotion in this scene is wonderful, no doubt drawing from Liam’s own personal experience with losing his wife tragically last year.

“The Grey” has a wonderful cast all around, including Dermot Mulroney, Dallas Roberts, and Frank Grillo. The big selling point for me was that real men were cast in the roles, instead of actors that can barely grow facial hair (I’m looking at you, Taylor Lautner!!!). All of the actors brought an authenticity to their roles, be they fathers or ex-cons. When its time for certain characters to bite it (see what I did there? Wolves. Bite it!), you hate to see it happen, as you honestly do care for these characters and the back-stories that they have.

Joe Carnahan co-wrote and directed “The Grey”, and while I feel he is fully capable of handling big action films like “The A-Team”, smaller character centric films like this one are where he truly shines. The film is truly poetic, taking on themes such as faith, mortality, and one’s place in this world without ever missing a step! The script feels real, the shots are beautiful, the actors feel authentic, and the score is magnificent! This film delivers!

Anything to complain about? Eh, my only beef was some of the camera work (a tiny amount) was too shaky, but that was probably because I was too close to the screen. (Note to self: arrive earlier to theater.)

In short, “The Grey” blew me away, and while some people in the theater didn’t exactly enjoy how it ended, I feel it perfectly captured the film’s essence.

Also, be sure to stay after the credits, as there’s an final scene!

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Podcast: My “Top 10″ is Better than Yours (Ep. 13)

Posted on 02 February 2012 by DttM

In this episode: Titus, Jared, and John discuss their Top 10 lists of 2011 and debate about what they think are the worthy, and unworthy, picks.

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Review: Dragonslayer

Posted on 01 November 2011 by DttM

by Jackie Richard

Dragonslayer is such an honest glimpse into a complex group of idealistic punk-metal, skate kids that are entirely focused on right now. They live to skate and party and be with friends. Nothing else really means anything.

I love documentaries where the filmmaker stays out of the way. This film was such an honest portrayal of the young skate legend Josh “Skreech” Sandoval, a 23-year-old Fullerton, CA native. Like many street skaters, Josh is a nomad. He bops around from couch to RV to tent to the woods to the streets. He isn’t driven by money, or food, or security, so his character is at times difficult to relate to. Especially because he’s too far gone half the time to say anything insightful. His only ambition is to skate, and to numb and suppress his emotions as much as possible with drugs and alcohol on a daily basis.

While he’s obviously flawed, there’s also such an intense sadness about him that makes his decisions seem more pathetic than outrageous. It was clear from the beginning of the film that his family wasn’t a priority or even present at all. And it’s unclear how many years that’s been the case. The guy definitely had the cards stacked against him.

Contrasting layers of reality helped add dimension to how Josh’s story is portrayed. Life for Josh and his entourage is gloomy and sporadic, but the backdrop of their lives is perpetual Southern California sunshine. Their whole life’s a never ending party, without rules or regulations, yet they appear trapped in their existence.

Director Tristan Patterson captured these complexities really well with the steady pacing, bumpy handheld camerawork, and quick cuts. The film’s editing really helped establish the mixed tone and subtle melancholy that left the viewer doubting how good of a time everyone was really having.

This film definitely offers a fresh look into a youthful subculture that’s existed for decades and that isn’t going anywhere. A subculture that almost feels more like an epidemic than a choice.

THEATRICAL SCREENINGS
OPENS NOVEMBER 4- NEW YORK, NY @ CINEMA VILLAGE
OPENS NOVEMBER 11- LOS ANGELES, CA @ DOWNTOWN INDEPENDENT
OPENS NOVEMBER 18- SAN FRANCISCO, CA @ ROXIE THEATER
OPENS NOVEMBER 18- DALLAS, TX @ TEXAS THEATRE
OPENS NOVEMBER 29, DECEMBER 6- MINNEAPOLIS, MN @ THE TRYLON
OPENS DECEMBER 2- SEATTLE, WA @ NORTHWEST FILM FORUM
OPENS DECEMBER 2- PORTLAND, OR @ HOLLYWOOD THEATRE
OPENS DECEMBER 2- BELLINGHAM, WA @ PICKFORD FILM CENTER
OPENS DECEMBER 9- SAN LUIS OBISPO, CA @ PALM THEATRE

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